New constructs in Art: Structure, Time, Correspondences and Interaction
نویسنده
چکیده
The paper provides a personal view of the implications of computational concepts and technologies on art practice. It draws upon 40 years of such practice by the author. As the title implies, the paper concentrates on the themes of structure within the artwork, time-based art, correspondences between different media that the computer enables, and interaction with the audience. The paper draws a line from Malevich to present day art employing computation.
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